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I was inebriated by the essences handed down over the centuries, still prepared following the friars’ recipes.
Officina Profumo-Farmaceutica di Santa Maria Novella,
via della Scala 16.
To discover this ancient soul of Florence I dove into the streets of the city, starting from one of its nerve centres, Santa Maria Novella Station. Right next the station, in Via della Scala 16, stands the Officina Profumo-Farmaceutica di Santa Maria Novella, a real institution in the Tuscan capital.
A lay gardener who learned all the secrets of medicinal herbs from the nuns and then opened his bottega.
Antica Spezieria Erboristeria San Simone,
via Ghibellina 190/R
To be honest, on an olfactory level my second stop was no less: if the Officina of Santa Maria Novella was born as a pharmacy, the Antica Spezieria Erboristeria San Simone, dating back to 1700, was instead born as a herbalist within the Convent of the Oblate Sisters. Since 1993 it has been managed by Dr. Fernanda Russo, who took over the business with her husband, with the precious legacy of the original recipes handed down by the Sisters. Dr. Russo told me about the lay gardener who learned all the secrets of medicinal herbs from the nuns and then opened his Bottega del Semplicista (Simplist’s Shop) in San Simone square (the herbal medicine was called “the simple people’s medicine”), the forerunner of the current shop in via Ghibellina 190/R.
«If I hadn’t been born on Sunday my mother would have given birth in the shop!»
via Giuseppe Verdi 9
Both the pharmacists and the herbalists belong to the “doctors and apothecaries” corporation, one of the seven Major Arts of the Middle Ages, to which – curiously – “wig makers, poets, painters and ragmen” also belonged – says Gherardo Filistrucchi, heir of the Filistrucchi family and owner of the homonymous workshop of via Giuseppe Verdi 9 which, since 1720, has been producing wigs and make-up for theater, cinema and television (but also for masqued parties).
“Poets and painters communicated and represented the power of the Medici outside Florence, while ragmen were important because with the rags they made paper, which was very expensive.- explains Filistrucchi – Wig makers – in addition to wigs, worn by everyone at the time: servants, knights and ladies – also provided shaving, tonsures and bloodletting, which were thought to be a remedy for most diseases.”
The Filistrucchi workshop is a reality that is more unique than rare: in addition to having survived two terrible floods, it has seen the same family for three centuries engaged in the same activity in the same place: “If I hadn’t been born on Sunday my mother would have given birth in the shop!”, Gherardo jokes.
The project was initially conceived to help war orphans to learn a profession.
Scuola del Cuoio,
via San Giuseppe 5R
Leather processing – another very important craft in Florence – was traditionally concentrated in the Santa Croce area: this type of activity required a lot of water and that area guaranteed easy access to the Arno river from the 13th century on. This is where the Scuola del Cuoio (Leather School of Florence) is located, in the complex of the Basilica of Santa Croce, inside the Franciscan monastery (the entrance is from Via San Giuseppe 5R). The school was founded in 1950 by the collaboration between the Franciscan friars and the Gori and Casini families. Marcello Gori, a craftsman since the 1930s, was the initiator, and the school project was initially conceived to help war orphans to learn a profession.
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Cosimo de’ Medici didn’t like the smell of meat when he walked.
So, butchers turned into jewelers.
There is so much to tell about the history of the school, but I have to continue towards Ponte Vecchio, the trait d’union between one bank and the other of the Arno. The most famous Florentine bridge is the realm of goldsmiths, who were butchers (or rather “beccai”) until Vasari’s corridor was built: Cosimo de ‘Medici decided that the smell of meat was not ideal to accompany his movements from Palazzo Vecchio to Palazzo Pitti, and so he had the butchers’ shops turned into jewelers.
«Once the object made with the computer is finished you can hardly get your hands on it without wasting it.»
Casa artigiana dell’orafo,
vicolo Marzio 2
Before stepping onto the bridge, among hordes of tourists posing for selfies, I take a breather (and a little cool: Florence can be very hot in summer), entering the tiny vicolo Marzio 2: here is the Casa artigiana dell’orafo (Artisan house of the goldsmith), a tower, part of a former convent made available by the Curia, which since the post-war period has about 25 laboratories for artisans, goldsmiths, cashes, engravers and watchmakers.
Fabio Panzani is one of these artisans, and since he was a boy he has been working at the Casa dell’Orafo, making handmade jewels: “Today we – the artisans – are endangered pandas! – he jokes, but not too much – The new generations use computers, CAD, 3D printers, but once the object made with the computer is finished you can hardly get your hands on it without damaging it, while the handmade product can always be perfected. In this job a very strong selection is underway and the few who remain will have a lot work to do.”
A Florentine mosaic mixes different types of marble and hard stones or small jewels.
Finally, I arrive in Oltrarno, with the districts of Santo Spirito and San Frediano and a high density of shops. There are so many antique dealers, but that’s not all: so if you are looking for a piece of furniture or a vintage chandelier the Oltrarno will know how to distract and tempt you with shops specialized in Florentine mosaics (which mix different types of marble and hard stones or small jewels), like Casa della Stampa (Sdrucciolo de ‘Pitti 11 / r), where Ms. Viviana and her son Lorenzo make reproductions of antique hand-painted prints, true wonders.
You are warned: it will be difficult to return empty-handed from a tour of the artisan workshops in Florence!